Showing posts with label australian writer. Show all posts
Showing posts with label australian writer. Show all posts

Wednesday, December 11, 2013

2013 in Review: Jason Franks

What have been your personal cartooning/comics highlights of 2013?
I got to work with some brilliant artists this year on the new Sixsmiths book. A lot of new collaborators, like Dean Rankine, Sarah Howell, Tim McEwen, Gregory MacKay, Trev Wood, Jase Harper, Sacha Bryning, and Anton McKay, as well as a crew of my old mates: Bruce Mutard, Bobby N., Luke Pickett, Jan Scherpenhuizen, Greg Gates, and Ed Siemienkowicz. It's been incredible.

The other highlight, of course, was going to SPX with Matt Hoddy, Caitlin Major, and Keith McDougall and that crazy freak who does Guzumo. I haven't been to SPX since 2006 and it's grown, but it stills feels like the same show. It was a pleasure to reconnect with some old acquaintances ( and to make so many new ones. What a blast! Massive thanks to Warren and Bruce for organizing it.

What are some of the comics/cartoonists you've enjoyed in 2013?
2013, for me, was the year of genre comics. Fatale, Locke and Key, Luther Strode, Saga, Amala's Blade, Chew and Witch Doctor remain my favourites. Most of these books started running in prior years, but in 2013 my intake of alternative books and manga was diminished. Not sure why that is; it wasn't a conscious decision. As far as local works go, Tim Molloy's collection Mr Unpronounceable Adventures was the stand out for me.

What is something non-comics that you have enjoyed in 2013?  
In 2013 I found a lot of new opportunities in the medium of prose on the back of my first novel and that gave me a lot of validation. Prose can be a grind, because every word has to be perfect, but it's been really good to be able to just focus on the writing and not have to project manage and produce every aspect of the work. That has been a nice change. 

What are you looking forward to in 2014?
I'm looking forward to a more relaxed 2014. 2013 was nuts: book launches, honeymoons, hospitals, mortgages, the con circuit, on top of some brutal deadlines at my day job have really worn me down. Next year I'm looking to simplify things. I want to ramp up some new projects, in prose and comics, and I want to have a more evenly productive year.

Monday, April 15, 2013

Sunday, December 23, 2012

2012 in Review: Sorab Del Rio

Sorab Del Rio

What have been your personal cartooning/comics highlights of 2012?

The highlight of 2012 for me was the release of my first graphic novel - Zombie Cities! This was a personal and artistic victory. For it was work that challenged and I hope re-defines the zombie genre with its wit, humour and style. But above and beyond that, it’s one question to simply release a new work, as anyone can do that, but it’s another challenge to create a work that draws in the fans. I can’t tell you how thrilled I am to see Zombie Cities received so well across the 4 conventions where Silver Fox Comics had a presence in 2012.

What makes this sweeter is that this is the 3
rd comic based venture I’ve created. So perhaps the old adage 3rd time lucky is actually real! The first was Skunge NYPD, and then of course our works for Zorro. Both of which are comics I loved, but failed to capture the fans. In 2011, I went to Sydney Supanova and sold 35 copies of Zorro at $5 each – I didn’t even cover the cost of the table. Now I know this is a common tale for creators but to me, if I can’t find an audience there is no point whatsoever, and I will leave a project if this can’t be achieved. My work has to find an audience or why bother. I’m not working a year in semi solitude to make a project no one is interested in. I left 2011 Supanova dis-heartened and beaten sorely, and thinking why do creators put themselves through this and that I need to make a project that connects with the fans.

So moving to 2012, we premiered Zombie Cities at Sydney Supanova not knowing what to expect. Was I going to sit through another 2 days and not sell a thing? No, not at all, we actually got it right selling 130 copies of the Zombie Cities graphic novel at $25 each over 2 days and 40 or so prints. We backed this up again at the Penrith Heroes and Villains convention, Melbourne Armageddon and Brisbane Supanova, and the support of comic stores, we’ve closed the year with 530 copies sold of Zombie Cities and over 250 prints. It was a project as some know came from a personal mission with the Sydney Zombies print and one where I also listened to fans in the making of this book. After the failure of previous years and projects, this was an even sweeter victory in creating a work the fans wanted and enjoy. I loved the conventions getting to talk about my work and making people laugh with what we produced. That’s what it’s all about for me – make a comic people enjoy and get immediately. At a con, you got 5 to 10 seconds to sell. When I was writing I wondered, this is really different to the regular zombie stuff – are they going to get it? Sure they did, so I’m personally pleased I went against the standard formulas to make Zombie Cities. Let me also take this time to say a thank you to everyone who bought anything from our Zombie Cities project, the artists from pencilers, inkers and colourists. Special thanks to Don Ticchio who has helped me across each of my comic book ventures. I do feel this is only the start with this project. 

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

Wow, so many to name, in fact too many to name. I have met many of the Australian comic creators through the conventions and now also discovering through your blog many more I am yet to discover.

We have a very talented independent scene in Australia that doesn’t get the limelight it deserves so thank you Matt for profiling us all here with your blog.

I think my biggest influence is Jason Brubaker with his online comic Remind and his associated blog and podcast Making Comics. I’m very passionate about marketing comics and he is achieving the independent self-publishing success I aspire to. He is one guy who has put as much time into marketing his comic as he has creating and it’s paid off with a $100,000 project on Kickstarter. 

What is something non-comics that you have enjoyed in 2012?

Non comics – what on earth do you mean?? Kidding!
Music: As some of you know, I love my old school rnb and salsa. I’d have to mention the Prince concerts which were amazing – I saw Prince in concert twice in Sydney, and also Janele Monae live – love her!
Movies: I went through a phase where I decided not to watch any English films as I’ve just gotten tired of the same regurgitated crap. During this time I watched 20 foreign films in a row. My favourite was The Skin I Live in by Spanish director Pedro Almodovar – this is macabre thriller of which I had no idea where this was leading to. The City of Men Movies which are set in the favellas of Rio, and Amores Perros – are more foreign films I discovered this year.
Books: The Shadow of the Wind by Carlos Ruiz Saffon. In regards to English releases – Breaking Bad is phenomenal!
Home: Seeing my dogs – my gals - Rio and Ria talk for the first time was incredible. I’d never believed this was possible. I also enjoyed meeting an Italian girl at salsa last week, lets see where this leads ;)

Have you implemented any significant changes to your working methods this year?

Right now I’m working on Zombie Cities Violence Vs Compassion. This time I’m writing with the strait jacket off and my muzzle is unleashed. There’s a real wild abandon happening with this project – a real crazy spirit happening with this project. I don’t know how it’s happening but I almost feel that these new stories are happening unconsciously and just flowing. It’s not something I implemented, it is just happening naturally.

What are you looking forward to in 2013?

The release of Zombie Cities Violence Vs Compassion! This will be a tour de force! I hope get to more conventions across Australia in 2013. I may need to do a crowd sourcing campaign to assist with financing. And figuring out how to release this internationally – whether its digitally, a free online comic to build a worldwide audience, a Kickstarter or similar campaign, but I am now starting to think internationally is where projects need to be. There are 3 other projects in my head knocking on my forehead every day asking to be let out so this will also happen – projects totally unrelated to anything I’ve done before.