Showing posts with label melbourne writer. Show all posts
Showing posts with label melbourne writer. Show all posts

Monday, December 24, 2012

2012 in Review: Matt Kyme

Matt Kyme

What have been your personal cartooning/comics highlights of 2012?

In Sept I launched That Bulletproof Kid where I upload my ongoing superhero web comic; That Bulletproof Kid. It’s a full colour comic illustrated by an awesomely talented friend, Arthur Strickland. In October I began uploading a second web comic which I wrote and illustrated called The Ace. In Nov I also uploaded an 8 page story called Secret History which was illustrated by Gareth Colliton and coloured by Joe Roberts.
 
Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

There are sooo many talented people out there! I was totally blown away by Hidden by Mirranda Burton. It was so tender and heartfelt, when you read it you feel as if you are listening to an old friend. I enjoyed the creepy and psychological atmosphere of The List by Paul Bedford. Fred Russell-Atkins had me laughing with his action packed, typo filled Spitfires, McBlack comics by Jason Franks are clever, surprising, genre challenging, 4th wall breaking meta which are a hoot to read. Thomas Tung’s Rent My Seal and Jake Harrison, Relationship Detective are a heap of fun as is High School Romance by Jin Chan Yum Wai. Guzumo by Matt Emery kept me and my high school students entertained and slightly confused.

Endlessly prolific writer, Matt Nicholls delivered 3 amazing comics this year; 2 issues of Collateral and my personal favourite, Our Love Will Never Die But We Will, which has to be the most romantic zombie story ever. Matt also has a wicked web comic called Vesper that is illustrated by Ross Stewart. One of my biggest highlights was discovering work by the amazing Frank Candiloro. His work is something else. His stories are all so different from the last and his artistic style is so original and unmistakable. My favourite of his is Behind The Crooked Cross. It is a harrowing comic which is testing and moving. I should mention the amazing artists and writers that I have been lucky enough to work/collaborate/brainstorm with this year, Franco Pollizzi, Eros Harries, Annerleigh Pappos, Gareth Colliton, Joe Roberts, Simon Wright, Steve Partridge, Andrew Fitzgerald and Arthur Strickland.

What is something non-comics that you have enjoyed in 2012?

My wife and two kids are a heap of fun. We have had a heap of laughs together this year and I’m very lucky to have them. Outside of family stuff, I’m really digging the new albums by The Cribs and Cat Power. I finally gave into peer pressure and started watching Breaking Bad. The new series of The Walking Dead has been great. Avengers and Batman movies were really cool. I liked The Artist and Argo too. My kids have discovered The Aquabats Supershow which is super rad. That Kony video was good. The world not ending was pretty good too.

Have you implemented any significant changes to your working methods this year?


Pretty much everything is new this year.  I did all the art for The Ace (my first ever comic) after I finished writing it and it drained my life. I enjoyed writing it far more than illustrating it so I decided that from now on I would avoid doing comic art like it was the plague. The only thing I enjoy as much as writing comics is getting fresh pages of art in my inbox. Working with Arthur of That Bulletproof Kid is a dream. I give him some rough sketches when I send him the scripts. It’s up to him if he wants to use them or not. I have never had any complaints with his pages, the dude knows how to draw and I love his colours! As far as my working methods go, I have sketchbooks with ideas and design/sketches all over the place, I have files with all my random ideas for stories/plots and characters,  a file with the rough story lines and a separate file where I type out the finished scripts. I do a heap of cutting and pasting, tweaking, refining, reading, re-reading etc before I send the scripts off top the artists. Did that put you to sleep?

What are you looking forward to in 2013?

 
I look forward to working with Arthur on That Bulletproof Kid and perhaps some other projects. I look forward to meeting more creators and discovering their work. I hope the new Superman movie is good. I don’t know what else will be on the cards next year, just have to hold on tight and see what happens.

Sunday, December 23, 2012

2012 in Review: Paul Bedford

Paul Bedford

What have been your personal cartooning/comics highlights of 2012?
 
Answering these questions.

Oh, and having the films rights for my OGN, The List optioned. The bonus is, I've been commissioned to write the screenplay adaptation. I'm into the second draft and, while proving a tough write, it's giving me the opportunity to have a second chance at my story; to change/improve scenes, dialogue etc. It's also a challenge to adapt my story into a 3 act structure, which the GN certainly isn't.

The other highlight was having the 3 volumes of The List finally printed in a single volume GN. It was great after all these years of envisioning it in this form to finally hold it in my hands. Very rewarding indeed. Sales at the stores, online and at the Cons have certainly improved since it became an all-inclusive read.

Other highlights include: continuing excellent reviews of The List from around the world; amazing - at times, touching - feedback from readers who seem to find a place to put their pain while reading the work; meeting new fans of the work at Cons and watching the local scene grow with great new talent.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?
 
My two fave discoveries of the year (I tend to read only Aussie/NZ stuff) were Zombolette by Scarlette Baccini (Milk Shadow Books) and Kranburn by Ben Michael Byrne (FEC Comics). I suppose if we are talking about artists, we are actually talking about their art.

Zombolette: Many laugh out loud moments. A no-holds-barred, clever and unpredictable work. I've read it three times which has revealed the more subtle humour. I have heard rumour of a sequel, so it’d better be as good as the first, or I’ll burn Scarlette’s house down. I will, ya know.

Kranburn: I'm crap at keeping up with web comics so, as much I loved reading this on the web, I fell away from this series, always wishing it was in print. I'm certainly a print purist. Even comics on a tablet don't really do it for me - I just don't find the experience as engaging or visceral. Anyway, I was rapt when i heard it was to be published. Now, having just read issue 5 (a dark and brutal stand out in an already dark and brutal series), I am thoroughly eating it up. Ben's world building succeeds in drawing the reader into its barren, harsh dystopia. The surface adventure of the first four issues has now taken a deeper turn, and the pace has slowed. Both of these things are a welcome breather and shows Ben's grasp of his character. I believe he is on the 230 odd page mark, which is awesome news. I'd happily sit down as read the whole bloody thing in a massive GN.

What is something non-comics that you have enjoyed in 2012?

Battlefield 3. Nuff said.

Have you implemented any significant changes to your working methods this year?


Battlefield 3. It means I get less work done.
 
What are you looking forward to in 2013?

There is some new Battlefield 3 DLC coming out, so that'll be grouse and even more destructive to my artistic pursuits.

Aside from that, the producers who optioned The List screenplay will be shopping it around to various movie houses. That'll be an exciting and terrifying time. Man, the thought that it might get picked up and made into a feature film is almost too exciting to bear.

With the TPB out, I will be submitting it to various companies for possible publication. Let's see if any of these so called publishers of art are gutsy enough to pick it up.

I will finally get my short story anthology finished and get a bunch of artists to draw them up. I’ve had one drawn up so far and released as a mini which has received excellent feedback, so it would be nice to get the entire bunch done released as a collection. It's very different to The List: no violence, horror, drugs etc, so it won't sell.
Thanks for reading my babble. Now go and buy my book: http://www.thelistgraphicnovel.bigcartel.com/

Tuesday, December 11, 2012

2012 in Review: Philip Bentley

Phillip Bentley's Word Balloons - Australian Magazine of the Graphic Story Arts

What have been your personal cartooning/comics highlights of 2012?

The “Station Wagon of Comics” mini tour to Adelaide with Bruce Mutard. Met up with a host of comic types including some I hadn’t seen in 20+ years like Darrel Merritt, Dave Hodson and Brendan Boyd, and some I met for the first time like Greg Holfeld and Dave Follett. Unfortunately comic fans were significant by their absence at the Adelaide Supanova.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?


Greg Holfeld, in particular his Captain Congo books written by Ruth Starke. Although technically children’s books they seem to have all ages appeal to me much like Tintin. They are amusingly written and lavishly drawn.

What is something non-comics that you have enjoyed in 2012?


City of Vice DVD: a BBC drama series showcasing the seamier side of London in the 18th Century. Too strong for our sets apparently.

What are you looking forward to in 2013?


Big Arse III.